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Up the stairs she takes her and into her own room, without saying a word. Then she carefully turns the key in the door, and, placing Mona in a large and cosey arm-chair, stands opposite to her, and thus begins,— "You may try just as hard as ever you like," she says, with dignity: "I sha'n't!" "Yet even were it so you would love me, Mona?".
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Conrad
"All that is morbid," says Mona: "you should try to conquer it. It is not healthy." "Not clever," says Mona. "If I were clever I should not take for granted—as I always do—that what people say they must mean. I myself could not wear a double face." So he takes her hand, and together they lean over the brink and survey themselves in Nature's glass. Lightly their faces sway to and fro as the running water rushes across the pool,—sway, but do not part; they are always together, as though in anticipation of that happy time when their lives shall be one. It seems like a good omen; and Mona, in whose breast rests a little of the superstition that lies innate in every Irish heart, turns to her lover and looks at him. To her it is an awful moment. Never before has she stood face to face with dissolution, to wait for the snapping of the chain,—the breaking of the bowl. "Neither the sun nor death," says La Rochefoucauld, "can be looked at steadily;" and now "Death's thousand doors stand open" to receive this man that but an hour agone was full of life as she is now. His pulses throbbed, his blood coursed lightly through his veins, the grave seemed a far-off destination; yet here he lies, smitten to the earth, beaten down and trodden under, with nothing further to anticipate but the last change of all..
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